On Thursday morning, at the patisserie Poppella, I wrote this in my journal: I'm so overwhelmed by Naples. It's so busy. I feel like I'll be trampled when I walk on the street. Everything is dirty. Garbage is all over the streets. I'm afraid to take out my computer. I'm afraid someone will take it.... Continue Reading →
A quick note from Naples
It's 10:30pm, and I'm just sitting down to write. I'll have to keep it a quick one. A long and sweaty, beautiful and adventurous day of travel now at an end, I'll recount a bit and reflect, see if I can tease out a few details to remember. Naples has a reputation. I think everyone... Continue Reading →
Choose the Right Point of View for Your Story: Beyond the Basics
First, third, omniscient, limitedโpoint of view (POV) is a global decision we make in every writing project. Like our choice of present or past tense, selecting the right point of view for a story has a powerful impact on the final effect, and itโs worth considering different options before jumping to one choice. Many of... Continue Reading →
Conflict a copout?
I've been working on a short story recently. Unlike most of what I've been writing the last few years, it's solid realism. I didn't expect this to make it a particular challenge for me, but as I have been slogging my way through outlines, a first draft of one-and-a-quarter scenes, doubt has besieged me of... Continue Reading →
Literature and political commentary: how far from reality can we stray?
The other night, I finished reading Ariel Dorfman's play Death and the Maiden, a haunting examination of Chile's reckoning with the aftermath of dictatorship. The play itself was emotionally powerful, concentrated in its characters and ideas (somewhat in the way poetry has a density of meaning, like the brief but all-consuming burst from a candy... Continue Reading →
Growing story ideas
In between novel revisions this winter and spring, I've been working on a few short stories. The more compressed, quicker course of developing and honing these has helped me think about the process and purpose of telling stories, and today I'll share some of what I am learning. Likewise, I would love to hear your... Continue Reading →
Foraging for stories
I spent a bit of time researching MFA programs yesterday. Just a bit. It's still a ways in the future for me, but I began with a survey of the pros and cons of formally studying creative writing at all. Jennifer Ellis has assembled a helpful list of cons, and the first item she included... Continue Reading →
Worldbuilding #2: into the story we go
This post is part two of two in a series on worldbuilding. To read part one, click here. Last week, we explored how to plan and develop a speculative world, how we must situate ourselves along a continuum between the real and the absurd, how we can tie into existing cultural concepts while still making... Continue Reading →
Worldbuilding #1: setting fits the story
The worlds we construct inside our stories, especially in speculative genres, carry our readers to new possibilities, new ways of thinking about life and what is set and normal. Worldbuilding is one of the great excitements of the writing process, as our minds, omnipotent in the world of the story, trace out societies and structures... Continue Reading →
Reflections at a project’s end
In January of 2016, a dear friend gave me the gift of a little Daruma doll. Growing out of Japanese Zen Buddhist tradition, the idea with these figurines [and the one I received is very minimalist compared to many of them] is to encourage perseverance and working towards a goal. When one sets a goal,... Continue Reading →