This week's post forms part of the monthly Author Toolbox Blog Hop, in which writers at all stages of their careers come together to share knowledge. It's a good group. Check out the posts of others here. In this second week of school this year, our student creative writing group commenced. Two budding student leaders... Continue Reading →
Mode, Genre, and Form: Three Ways to Think More Deeply about Our Texts
In the huge range of texts we write, distinguishing among them helps us know what we are writing, helps readers know what to expect, and helps us connect our pieces to readers who will enjoy them. Today we'll discuss three central ways texts are distinguished from one another: mode, genre, and form. These tools help... Continue Reading →
How Much Should I Research?
In the story I have been drafting these last weeks, I've hit up against real edges in my knowledge. I have dived on into research, poring over academic articles, newspapers, and of course Wikipedia. I have taken awful volumes down of notes. I have learned much, and I've asked questions. I am generally not a... Continue Reading →
Worldbuilding #2: into the story we go
This post is part two of two in a series on worldbuilding. To read part one, click here. Last week, we explored how to plan and develop a speculative world, how we must situate ourselves along a continuum between the real and the absurd, how we can tie into existing cultural concepts while still making... Continue Reading →
Worldbuilding #1: setting fits the story
The worlds we construct inside our stories, especially in speculative genres, carry our readers to new possibilities, new ways of thinking about life and what is set and normal. Worldbuilding is one of the great excitements of the writing process, as our minds, omnipotent in the world of the story, trace out societies and structures... Continue Reading →
Why speculative fiction compels us: place, time, and the imagination
Near the end of my journey north, the bus drove onto a ferry crossing the Sogn Fjord. I disembarked and went to the boat's edge. Beneath me, the motor sounded deep and long, like a brilliant foghorn sweeping out over the water. Mountains jutted up on either side of the fjord, and swirls of gray... Continue Reading →
On authentic writing, bread, and Like Water for Chocolate
For those of us in Western cultures and the Middle East, there are few foods more staple than bread. We might not even notice the bread as we swim through grocery store aisles (shoutout to Hannah Whiteoak's "Earth Report"), throw a sandwich in our lunchboxes, proclaim some sensational new dip at a party... Onion focaccia.... Continue Reading →
Revising for consistency: the case of the mysteriously changing hair color
I think both look pretty nice. Why must I choose? A novel is big, literally as well as temporally. At the point I finished a complete first draft of my novel, I had an embarrassing splat of 160 thousand words and a nearly three-year distance from my first paragraphs. Revision beckoned; then it loomed. Although... Continue Reading →
Fiction and reality, monkeys in Billings
The land here is dry. The leafy tendrils I saw from the airplane, riverbeds, I imagined, are really more of folds in the rock, like the skin of a naked cat around the haunches. Earth muscles, they make me think of. It's December, and a bit of early winter snow remains , but mostly it... Continue Reading →