Just shy of a month ago, I sat down and set myself a few writing goals. I set a goal for word count and a goal for submissions. A perhaps foolhardy goal for publications too I set. During January, I chipped away at these. Let's make an update of where things stand. I'll share some... Continue Reading →
How Real is Real Enough?
I notice a fixation when I write on, let's call it, "textbook plausibility." It's always fiction, but I take great pains to make things possible. This could really happen, I hope the reader feels. Although we both know it never did. I'm currently working on a new story that I'm envisioning in a very specific... Continue Reading →
Apparently, I’m Blogging All Wrong!
This week, let's look at blogs. What make one tick and another flop? Why do some get clicks and others languish patiently? And which is this? The IB syllabus for my English language acquisition students asks them to practice writing a variety of text types, from letters to proposals, from persuasive speeches to brochures. This... Continue Reading →
Worldbuilding #1: setting fits the story
The worlds we construct inside our stories, especially in speculative genres, carry our readers to new possibilities, new ways of thinking about life and what is set and normal. Worldbuilding is one of the great excitements of the writing process, as our minds, omnipotent in the world of the story, trace out societies and structures... Continue Reading →
Efficient revising: what order is best?
The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →
Past or Present: why tense matters in our writing, and how to use it well
Nine months ago, I began translating my novel from past to present tense. At the time, before a bunch of ruthless cuts, it was about 160,000 words long, and changing the tense of every verb--it took a while. It was grueling. It set my brain reeling into the depths of grammatical subtlety. It also taught... Continue Reading →
Character development: the bubble model
The lifeblood of so many stories is in their characters. An unsympathetic, unrelatable protagonist can easily drive readers away, and writing believable, sympathetic characters can pose real challenges. Not least among these is the question of how our characters change from beginning to end. How do we write believable, authentic change in our characters? How,... Continue Reading →
Revising for consistency: the case of the mysteriously changing hair color
I think both look pretty nice. Why must I choose? A novel is big, literally as well as temporally. At the point I finished a complete first draft of my novel, I had an embarrassing splat of 160 thousand words and a nearly three-year distance from my first paragraphs. Revision beckoned; then it loomed. Although... Continue Reading →