My biggest questions about stories the last few years have been focused on structure. What is the role of conflict? Do all stories really follow the same dramatic structures, or is this an oversimplification? What alternative story structures might exist (such as Kishลtenketsu), and how do they function in different cultural contexts? When I asked... Continue Reading →
Working with a Writing Group
Writing can be isolating. As a story forms itself and finds its way onto the page, as we craft, dismantle, and reassemble it in final form, the work is solitary. At its best, this solitude is glorious--writing is where we can be perfectly alone and let the mind go where it will, where any thoughts... Continue Reading →
Continued reflections on conflict and story structure
Some stories seem to move more slowly than drying paint. They elongate scene after scene of a bland character sitting, contemplating, staring at walls. Whole novels can go by without the character doing much more than taking a sip of their watered-down beer as they contemplate the vagaries of their universes. How often do I... Continue Reading →
Apparently, I’m Blogging All Wrong!
This week, let's look at blogs. What make one tick and another flop? Why do some get clicks and others languish patiently? And which is this? The IB syllabus for my English language acquisition students asks them to practice writing a variety of text types, from letters to proposals, from persuasive speeches to brochures. This... Continue Reading →
Register: Language Formality in Creative Writing–#AuthorToolboxBlogHop
This week's post is part of the monthly Author Toolbox Blog Hop where you will find a community of writers sharing tips and tools for the craft and business of writing. Do check them out! It wasn't since the impromptu graduation ceremony we held in March that I have had such a busy week. Staff... Continue Reading →
Mode, Genre, and Form: Three Ways to Think More Deeply about Our Texts
In the huge range of texts we write, distinguishing among them helps us know what we are writing, helps readers know what to expect, and helps us connect our pieces to readers who will enjoy them. Today we'll discuss three central ways texts are distinguished from one another: mode, genre, and form. These tools help... Continue Reading →
Avoid the Easy Resolution
When we write, if we tape our feelings down to the page, if we do it with any thoroughness and honesty, they become rapidly an artifact. Later, we return to them like reading history. Those were the things in my mind that day. We can see the way seas of our thoughts change, and yet... Continue Reading →
Scene and Summary: Recasting the Balance–#AuthorToolboxBlogHop
This week's post is part of the monthly Author Toolbox Blog Hop. Check out posts by other writers about writing craft and industry. It is a good community and a good resource. #AuthorToolboxBlogHop The longer I poke at things I long believed about writing, the more they crumble like a log long on the fire.... Continue Reading →
In Praise of Boring Stories: Our Desensitization to Conflict
I return today to a question that has arisen frequently on this blog, that nagging issue in fiction I've not yet been satisfied with my own answers to, that I feel like this week I've stumbled haphazard into a new idea about--today, let's circle back to that question of conflict. When I taught high school... Continue Reading →
Dialogue #3: Dialect
This post comes third in our series on dialogue. To read the first post about the dialogue's three basic forms or last week's discussion of realistic dialogue, click these links. This week, we'll look at how characters' spoken dialects might be rendered in fiction, the effects these different portrayals might have on readers, and the... Continue Reading →