My husband is not a reader. While I wade up to my eyes through stories, he stays dry. We are different people, and that is fine, but I have wondered for years precisely why he doesn't love to read--to me it seems so natural. To me, it is necessary. He has told me sometimes, that... Continue Reading →
Episodic Serialization in Star Trek Discovery: How to Satisfy Audience Yet Keep Them Wanting More
In this third season of Star Trek Discovery, there is a lot to enjoy. A reimagined, post-Federation galaxy, the ever-imaginative CGI work, characters who are growing on me in this third adventure through space and time, and most importantly, Star Trek's beautifully hopeful, human, redemptive storytelling in an age when so many shows seem fixated... Continue Reading →
Apparently, I’m Blogging All Wrong!
This week, let's look at blogs. What make one tick and another flop? Why do some get clicks and others languish patiently? And which is this? The IB syllabus for my English language acquisition students asks them to practice writing a variety of text types, from letters to proposals, from persuasive speeches to brochures. This... Continue Reading →
Register: Language Formality in Creative Writing–#AuthorToolboxBlogHop
This week's post is part of the monthly Author Toolbox Blog Hop where you will find a community of writers sharing tips and tools for the craft and business of writing. Do check them out! It wasn't since the impromptu graduation ceremony we held in March that I have had such a busy week. Staff... Continue Reading →
Scene and Summary: Recasting the Balance–#AuthorToolboxBlogHop
This week's post is part of the monthly Author Toolbox Blog Hop. Check out posts by other writers about writing craft and industry. It is a good community and a good resource. #AuthorToolboxBlogHop The longer I poke at things I long believed about writing, the more they crumble like a log long on the fire.... Continue Reading →
How to Use Sentence Structure to Improve Your Writing
Human languages glitter with variety. Rife with synonyms, recursive structures, nuances of tone and pronunciation--the ways we speak and write possess the subtlety of art. Today, we'll examine how sentence structure in English can be modified to bring our texts to life. Let's see. Linguistic Background Multilingual people often debate the merits of their languages.... Continue Reading →
Mystery drives good storytelling, not conflict.
For some time I've been curious about the idea so prevalent in modern Western literature that a central conflict is indispensable to effective storytelling. In my own writing, sure there's conflict, and when I read, clearly it abounds. But is conflict really the core of it? Is conflict really what's making the story engaging? The... Continue Reading →
Efficient revising: what order is best?
The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →
Anatomy of a cliffhanger
They're page-turning. They're nail-biting. They're infuriating. They're everywhere. Cliffhangers, those endings to scenes, chapters, or whole works that create anticipation in the audience, sometimes feel like the bread and butter of modern storytelling televised and written, and as a literary tool they have a long history. Today, let's step back and take their measure. What... Continue Reading →
Active verbs, their use, and their limits
When I taught creative writing to high school students in Minnesota, one of my favorite lessons involved a semi-choral reading of Annie Dillard's "The Death of a Moth." I gave students an excerpt from the essay (you can find the excerpt at the bottom of this post and the full essay at the link above)... Continue Reading →