Many times I have heard writers talk about a character seeming to lift up off the page, feel real enough that they start telling their own story. Writers say, "The story writes itself. The character told me what they'd do." If I'm honest, most times when I hear these things I roll my eyes. I... Continue Reading →
Character Change is Oversimplification
"Happily ever after" is an age-old trope, and we know that reality is subtler than that. The ending of a story does not mean the rest of life will run smoothly. But a happily-ever-after ending makes sense in fiction: because the story at some point has to end, and an ending that reads, "And life... Continue Reading →
Philosophy in Fiction
My junior year of high school, I took an elective English class entitled Philosophy in Literature. We thirty teenagers and one brilliant, grandfatherly teacher crowded into that classroom to sift our way from Bishop Berkeley to Plato's Cave, Bertrand Russell to Kierkegaard to Kant's Categorical Imperative. All of these thinkers were brand new to me,... Continue Reading →
Episodic Serialization in Star Trek Discovery: How to Satisfy Audience Yet Keep Them Wanting More
In this third season of Star Trek Discovery, there is a lot to enjoy. A reimagined, post-Federation galaxy, the ever-imaginative CGI work, characters who are growing on me in this third adventure through space and time, and most importantly, Star Trek's beautifully hopeful, human, redemptive storytelling in an age when so many shows seem fixated... Continue Reading →
Writing Outside Our Own Identities: Representation, Research, Sensitivity Reading, and Justice–#AuthorToolboxBlogHop
This post is part of the monthly Author Toolbox Blog Hop. Check out other Hop participants' posts to learn about more aspects of writing craft and business, the third Wednesday of each month except for November and December. If we are writers who care about social justice, we have to interrogate our work. How do... Continue Reading →
The Joys of Simple Writing Prompts–#AuthorToolboxBlogHop
This week's post forms part of the monthly Author Toolbox Blog Hop, in which writers at all stages of their careers come together to share knowledge. It's a good group. Check out the posts of others here. In this second week of school this year, our student creative writing group commenced. Two budding student leaders... Continue Reading →
Tone and Mood: Emotion in Our Writing
The school year has begun, and with most students arrived and out of quarantine, things feel more normal than they have in months. I've taken on two second-year Language & Literature courses from a colleague, and in a lesson reviewing the myriad ways we might analyze texts, one lovely pair of words emerged that will... Continue Reading →
Short Story and Novel: Key Differences in Form–#AuthorToolboxBlogHop
This week's post is part of the monthly Author Toolbox Blog Hop. Check out others' great posts about the craft and business of writing! I first encountered Haruki Murakami through his short story collection The Elephant Vanishes. These stories of middle-class life in Japan were bizarre, esoteric, often difficult to get my mind around. The... Continue Reading →
Fleshing Out Characters
When a story gets stuck, I try to see it as an invitation. Amid the frustration, I seek what I have missed. What central element have I bypassed in this story that makes it tick slower, slower, slow until it halts? Often for me, the culprit is the undeveloped character. I plan the story and... Continue Reading →
Hamlet at the Globe, Special Effects, and Conflict in Fiction
With IB exams canceled this year, second-year students have been given the choice of continuing with their classes or not. I've had a little less than half my English Language & Literature group stick with me, and freed of assessment's narrow course, we were without direction, of a sudden free. The students said they wanted... Continue Reading →