This post is part 2 of a series on dialogue. Click here to read the first post in the series about the three core forms of dialogue. This week's post on Words Like Trees pushes forward into the world of dialogue. We'll look at a concern that often arises with this fickle structure: is the... Continue Reading →
Myths of the 3rd Person Narrator
Several weeks ago here on Words like Trees, we surveyed a range of common narrative points of view, from character-turned-narrator first person to free indirect style, omniscient, and close third person. In the weeks since, and in particular as I have been making my way slowly (very slowly) through the first volume and a half... Continue Reading →
Conflict a copout?
I've been working on a short story recently. Unlike most of what I've been writing the last few years, it's solid realism. I didn't expect this to make it a particular challenge for me, but as I have been slogging my way through outlines, a first draft of one-and-a-quarter scenes, doubt has besieged me of... Continue Reading →
Efficient revising: what order is best?
The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →
Past or Present: why tense matters in our writing, and how to use it well
Nine months ago, I began translating my novel from past to present tense. At the time, before a bunch of ruthless cuts, it was about 160,000 words long, and changing the tense of every verb--it took a while. It was grueling. It set my brain reeling into the depths of grammatical subtlety. It also taught... Continue Reading →