My junior year of high school, I took an elective English class entitled Philosophy in Literature. We thirty teenagers and one brilliant, grandfatherly teacher crowded into that classroom to sift our way from Bishop Berkeley to Plato's Cave, Bertrand Russell to Kierkegaard to Kant's Categorical Imperative. All of these thinkers were brand new to me,... Continue Reading →
Mode, Genre, and Form: Three Ways to Think More Deeply about Our Texts
In the huge range of texts we write, distinguishing among them helps us know what we are writing, helps readers know what to expect, and helps us connect our pieces to readers who will enjoy them. Today we'll discuss three central ways texts are distinguished from one another: mode, genre, and form. These tools help... Continue Reading →
Reading Bashล, remapping genre
Following the example of the ancient priest who is said to have travelled thousands of miles caring naught for his provisions and attaining the state of sheer ecstasy under the pure beams of the moon, I left my broken house on the River Sumida in the August of the first year of Jyลkyล among the... Continue Reading →
Efficient revising: what order is best?
The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →