In the huge range of texts we write, distinguishing among them helps us know what we are writing, helps readers know what to expect, and helps us connect our pieces to readers who will enjoy them. Today we'll discuss three central ways texts are distinguished from one another: mode, genre, and form. These tools help... Continue Reading →
Perfect Contradiction: a few gems from Alan Hollinghurst’s “The Line of Beauty”
Last week, I began reading Alan Hollinghurst's The Line of Beauty, a brilliant tour of Thatcher-era upperclass London, narrated in close third-person focus on unabashed gay hedonist Nick Guest. Although the window into Nick's world is undoubtedly fascinating, it is Hollinghurst's writing that I have been most entranced by. And that's what I'd like to... Continue Reading →
How social identities affect our writing: #OwnVoices and social justice
I recently finished reading Naomi Alderman's The Power, for me a game-changing look at gender and historical power hierarchies. The engrossing story that follows the sudden reversal of gender hierarchies worldwide opens with a letter from its fictional author, a member of The Men Writers Association. The book has me thinking about #OwnVoices literature and its... Continue Reading →