The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →
Writing around the world: expanding the toolbox
There are a lot of rules we set ourselves as writers. We try to show-not-tell, to make our characters round, to begin our stories with a conflict. We teach them to our students, preach them like the gospel, cite them in critiques, and write them core in every novel. And for (mostly) good reason. People... Continue Reading →
On authentic writing, bread, and Like Water for Chocolate
For those of us in Western cultures and the Middle East, there are few foods more staple than bread. We might not even notice the bread as we swim through grocery store aisles (shoutout to Hannah Whiteoak's "Earth Report"), throw a sandwich in our lunchboxes, proclaim some sensational new dip at a party... Onion focaccia.... Continue Reading →
Are we there yet?: When do we call our stories done?
How do we know when to call our writing finished? Right now I am hurtling towards that moment when I will call my novel done. The thought is so exciting. It is the next stage in my journey, before I begin seeking publication. This is Rice Creek, a park I walked frequently during the four... Continue Reading →
Revising for consistency: the case of the mysteriously changing hair color
I think both look pretty nice. Why must I choose? A novel is big, literally as well as temporally. At the point I finished a complete first draft of my novel, I had an embarrassing splat of 160 thousand words and a nearly three-year distance from my first paragraphs. Revision beckoned; then it loomed. Although... Continue Reading →