Some stories seem to move more slowly than drying paint. They elongate scene after scene of a bland character sitting, contemplating, staring at walls. Whole novels can go by without the character doing much more than taking a sip of their watered-down beer as they contemplate the vagaries of their universes. How often do I... Continue Reading →
How Real is Real Enough?
I notice a fixation when I write on, let's call it, "textbook plausibility." It's always fiction, but I take great pains to make things possible. This could really happen, I hope the reader feels. Although we both know it never did. I'm currently working on a new story that I'm envisioning in a very specific... Continue Reading →
Fleshing Out Characters
When a story gets stuck, I try to see it as an invitation. Amid the frustration, I seek what I have missed. What central element have I bypassed in this story that makes it tick slower, slower, slow until it halts? Often for me, the culprit is the undeveloped character. I plan the story and... Continue Reading →
How Much Should I Research?
In the story I have been drafting these last weeks, I've hit up against real edges in my knowledge. I have dived on into research, poring over academic articles, newspapers, and of course Wikipedia. I have taken awful volumes down of notes. I have learned much, and I've asked questions. I am generally not a... Continue Reading →
How to run a Slam Poetry workshop
This last week at school was a different theme: no classes, the first years busy with a first-aid course and Model United Nations, for which they dressed their best and debated the future of our world. The second-years, meanwhile, had project week, and my husband and I led a small group in a three-day journey... Continue Reading →
Worldbuilding #1: setting fits the story
The worlds we construct inside our stories, especially in speculative genres, carry our readers to new possibilities, new ways of thinking about life and what is set and normal. Worldbuilding is one of the great excitements of the writing process, as our minds, omnipotent in the world of the story, trace out societies and structures... Continue Reading →
Revising for consistency: the case of the mysteriously changing hair color
I think both look pretty nice. Why must I choose? A novel is big, literally as well as temporally. At the point I finished a complete first draft of my novel, I had an embarrassing splat of 160 thousand words and a nearly three-year distance from my first paragraphs. Revision beckoned; then it loomed. Although... Continue Reading →