The worlds we construct inside our stories, especially in speculative genres, carry our readers to new possibilities, new ways of thinking about life and what is set and normal. Worldbuilding is one of the great excitements of the writing process, as our minds, omnipotent in the world of the story, trace out societies and structures... Continue Reading →
Why speculative fiction compels us: place, time, and the imagination
Near the end of my journey north, the bus drove onto a ferry crossing the Sogn Fjord. I disembarked and went to the boat's edge. Beneath me, the motor sounded deep and long, like a brilliant foghorn sweeping out over the water. Mountains jutted up on either side of the fjord, and swirls of gray... Continue Reading →
Revising for consistency: the case of the mysteriously changing hair color
I think both look pretty nice. Why must I choose? A novel is big, literally as well as temporally. At the point I finished a complete first draft of my novel, I had an embarrassing splat of 160 thousand words and a nearly three-year distance from my first paragraphs. Revision beckoned; then it loomed. Although... Continue Reading →
Fiction and reality, monkeys in Billings
The land here is dry. The leafy tendrils I saw from the airplane, riverbeds, I imagined, are really more of folds in the rock, like the skin of a naked cat around the haunches. Earth muscles, they make me think of. It's December, and a bit of early winter snow remains , but mostly it... Continue Reading →