This week's post is part of the monthly Author Toolbox Blog Hop. Check out posts by other writers about writing craft and industry. It is a good community and a good resource. #AuthorToolboxBlogHop The longer I poke at things I long believed about writing, the more they crumble like a log long on the fire.... Continue Reading →
A Plotter Pantsing: what I’ve learned, and what I’m still trying to figure out
In Twitter's #WritingCommunity, the discussion of plotting and pantsing our stories is a common thread. Plotting, the careful outlining of a story before writing, and pantsing, the seat-of-our-pants, unplanned, accepting-what-comes creation of a story, each draws a crowd of strong adherents. Out foraging for mushrooms this week, we came across this beautiful chanterelle, late for... Continue Reading →
Choose the Right Point of View for Your Story: Beyond the Basics
First, third, omniscient, limitedโpoint of view (POV) is a global decision we make in every writing project. Like our choice of present or past tense, selecting the right point of view for a story has a powerful impact on the final effect, and itโs worth considering different options before jumping to one choice. Many of... Continue Reading →
Efficient revising: what order is best?
The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →
Anatomy of a cliffhanger
They're page-turning. They're nail-biting. They're infuriating. They're everywhere. Cliffhangers, those endings to scenes, chapters, or whole works that create anticipation in the audience, sometimes feel like the bread and butter of modern storytelling televised and written, and as a literary tool they have a long history. Today, let's step back and take their measure. What... Continue Reading →
Put your descriptive writing to work!
A few years ago I found myself in a one-day writing workshop, examining all fiction in terms of three elements: character, conflict, and description. The idea that every sentence we write is primarily serving one of these functions is perhaps reductive, but it can also help us tease out why a passage is not working,... Continue Reading →
On authentic writing, bread, and Like Water for Chocolate
For those of us in Western cultures and the Middle East, there are few foods more staple than bread. We might not even notice the bread as we swim through grocery store aisles (shoutout to Hannah Whiteoak's "Earth Report"), throw a sandwich in our lunchboxes, proclaim some sensational new dip at a party... Onion focaccia.... Continue Reading →