Before departing school for the summer, I stopped by the book storage room. A small and musty room of bookshelves adjoining one of the English classrooms, far too many books for the space, piled three deep on the shelves so that you have to shift great tottering piles in order to see what is stacked... Continue Reading →
Continued reflections on conflict and story structure
Some stories seem to move more slowly than drying paint. They elongate scene after scene of a bland character sitting, contemplating, staring at walls. Whole novels can go by without the character doing much more than taking a sip of their watered-down beer as they contemplate the vagaries of their universes. How often do I... Continue Reading →
Long Shot, Medium Shot, and Close-up: the power of film shot types in our writing
This last week I participated in an online short story course. One Story's Write a Short Story with Hannah Tinti was an engaging, entertaining, but most of all practically useful one-week course, though which we explored a basic structure for short story writing. This was the first class I've done with One Story, and I... Continue Reading →
Participating in this season’s Sixfold voting
As I continue to explore different venues for submitting short stories, one publication different than the others has been Sixfold. Traditional literary journals have a team of readers and editors who vet submissions and curate the publication. Sixfold, instead, has the writers who have submitted stories or poems read, comment, and vote on one another's... Continue Reading →
When characters come to life
Many times I have heard writers talk about a character seeming to lift up off the page, feel real enough that they start telling their own story. Writers say, "The story writes itself. The character told me what they'd do." If I'm honest, most times when I hear these things I roll my eyes. I... Continue Reading →
Two Histories of Native American Peoples
During the last month, I've read (or listened to) two books of history of different Native American peoples, Staci Drouillard's Walking the Old Road: A People's History of Chippewa City and the Grand Marais Anishinaabe and Elizabeth Fenn's Encounters at the Heart of the World: A History of the Mandan People. These narratives took two... Continue Reading →
Searching for story ideas
Where does a good story come from? What are its core ingredients? I found myself this week seeking inspiration, and little coming. I've set myself a goal of two new pieces to produce in the coming six-week push. I haven't started yet--I've been focusing on older projects. What do I need to get me started?... Continue Reading →
Making a story feel real: Jean Rhys’s Wide Sargasso Sea
In 1966, the Dominican writer Jean Rhys published her most celebrated work, the novella Wide Sargasso Sea. It marked her return to the literary scene after a near twenty-year's gap, and it inspired a large body of scholarship and study. Wide Sargasso Sea took as its focus the character of Bertha Mason in Charlotte Brontรซ's... Continue Reading →
Can reading literature change our beliefs?
I remember a fable I heard once, from some origin that I can no longer locate. I think I was told this story by a speaking voice, perhaps by a teacher at school, perhaps elsewhere. The situation of its telling has thus vanished, but I remember the story perfectly. Let me share it with you... Continue Reading →
Character Change is Oversimplification
"Happily ever after" is an age-old trope, and we know that reality is subtler than that. The ending of a story does not mean the rest of life will run smoothly. But a happily-ever-after ending makes sense in fiction: because the story at some point has to end, and an ending that reads, "And life... Continue Reading →